Introduction and Context
The speaker begins by setting a dramatic scene: Before giving a Shabbat morning sermon on Parshat Tetzaveh and Parshat Zachor (the Torah reading that commands the remembrance and destruction of Amalek), he hears the buzzing of airplanes. He realizes that a military conflict between Israel and Iran might have begun. He contextualizes this modern conflict as the latest chapter in a long, ongoing spiritual and physical war against the "evil descendants of Haman and Amalek," whose ultimate goal is the annihilation of the Jewish people. He draws a historical parallel to the Gulf War 35 years prior [which ended Purim time], noting how the arrogant and evil Saddam Hussein was ultimately reduced to a pathetic figure, and expresses hope that the current Iranian regime will meet the same fate.
The Biblical Precedent: Samuel and Agag
To explain the theological framework of this war, the speaker turns to the Haftarah of Parshat Zachor, which details King Saul’s failure to wipe out Amalek and the subsequent actions of the prophet Samuel. When Saul spares Agag, the King of Amalek, Samuel steps in to execute him.
The speaker highlights three specific details from the text that require explanation:
The Pronouncement: Samuel tells Agag, “As your sword has made women childless [or widowed], so shall your mother be childless.” Why does Samuel focus on the grieving mothers and widows, rather than the men Agag actually murdered?
The Execution: Samuel literally hacks Agag into pieces. Why is the execution so brutal?
The Location: The text states Samuel did this Lifnei Hashem (before God). Why is such a gruesome act described as being done in the presence of the Divine?
The Sadistic Nature of Amalek
Answering the first question, the speaker defines the unique, pure evil of Amalek—a spiritual lineage that he connects to the Nazis, Hamas, and the Iranian regime. Amalek’s primary pleasure is not merely in killing, but in sadism. They take joy in the suffering of the innocent.
The speaker contrasts the Jewish reaction to war—mourning, crying over fallen soldiers, and agonizing over widows and orphans—with the reaction of Israel's enemies. He points to videos of crowds dancing and celebrating after the 9/11 attacks. Samuel’s curse was mida keneged mida (measure for measure): because Agag took sadistic pleasure in watching mothers become childless, his own mother would be made to suffer that exact agony.
The Limits of Mercy and the Necessity of Cruelty
Addressing the brutal nature of Agag's death, the speaker explains a concept from the Talmud. Normally, Jewish law mandates that even a condemned criminal must be given a "humane" and dignified death out of love for one's fellow creations. However, Amalek forfeits this right. The commandment regarding Amalek is to actively arouse hatred (meo'rer eivah) against them. Because Agag acted like a vicious animal, Samuel treated him like an animal, hacking him to pieces.
This leads to the explanation of Lifnei Hashem. The name of God used in the text (Havayah) represents Rachamim (mercy). How can hacking a man to pieces be an act of mercy? The speaker cites the Talmudic principle: "Whoever is merciful to the cruel will end up being cruel to the merciful."
King Saul’s misplaced mercy toward Agag allowed the Amalekite bloodline to survive, eventually leading to Haman, who tried to exterminate all the Jews. The speaker applies this to modern Israeli history, explicitly criticizing the Gilad Shalit prisoner exchange. By showing "mercy" and releasing over 1,000 terrorists to save one soldier, Israel released Yahya Sinwar [among many others who later committed terrorist attacks], who subsequently orchestrated the October 7th massacre. True, divine mercy (Lifnei Hashem) requires the total eradication of pure evil to protect the innocent.
The Theology of Purim: Holding Two Extremes
The speaker connects these ideas to the holiday of Purim and the obligation of Ad D'lo Yada—reaching a state where one does not know the difference between "Cursed is Haman" and "Blessed is Mordechai."
He explains that the Jewish soul must be capable of holding two extreme, contradictory emotions simultaneously. On one hand, a Jew must possess infinite love, holiness, and compassion (Mordechai). On the other hand, a Jew must be capable of absolute, ruthless hatred and cruelty when facing pure evil (Haman). Misplaced compassion in wartime is a fatal flaw.
The True Nature of the Jewish Soul
The speaker contrasts Amalek with the story that precedes it about the Kenites, a nation Saul spared because they had shown chesed (kindness) to the Israelites in the desert. This highlights the fact that the goal is chesed.
Drawing heavily on the writings of Rabbi Abraham Isaac Kook (Orot), the speaker concludes by describing the ultimate essence of the Jewish people. The core of the Jewish soul is an unbounded, limitless desire to do good for the entire world and all of creation. The Jewish people do not want war; they are forced into it by the existence of absolute evil.
Conclusion
The speaker ends with a prayer for the ultimate Geulah (Redemption). He prays for a time when evil is finally eradicated, allowing the Jewish people to stop waging war and to fully express their true, unhindered nature: showering limitless goodness, light, and blessing upon the world.
诪讘讜讗 讜讛拽砖专
讛讚讜讘专 驻讜转讞 讘讛爪讘转 住爪谞讛 讚专诪讟讬转: 诇驻谞讬 砖谞砖讗 讚专砖转 砖讘转 讘讘讜拽专 注诇 驻专砖转 转爪讜讛 讜驻专砖转 讝讻讜专 (拽专讬讗转 讛转讜专讛 讛诪爪讜讜讛 诇讝讻讜专 讜诇诪讞讜转 讗转 注诪诇拽), 讛讜讗 砖讜诪注 讗转 讝诪讝讜诐 讛诪讟讜住讬诐. 讛讜讗 诪讘讬谉 砖讬讬转讻谉 讻讬 讛讞诇 住讻住讜讱 爪讘讗讬 讘讬谉 讬砖专讗诇 诇讗讬专讗谉. 讛讜讗 诪诪拽诐 讗转 讛住讻住讜讱 讛诪讜讚专谞讬 讛讝讛 讻驻专拽 讛讗讞专讜谉 讘诪诇讞诪讛 专讜讞谞讬转 讜驻讬讝讬转 讗专讜讻讛 讜诪转诪砖讻转 谞讙讚 "爪讗爪讗讬 讛诪谉 讜注诪诇拽 讛专砖注讬诐", 砖诪讟专转诐 讛讗讜诇讟讬诪讟讬讘讬转 讛讬讗 讛砖诪讚转 注诐 讬砖专讗诇. 讛讜讗 诪讜砖讱 拽讜 诪拽讘讬诇 讛讬住讟讜专讬 诇诪诇讞诪转 讛诪驻专抓 诇驻谞讬 35 砖谞讛 [砖谞住转讬讬诪讛 讘住讘讬讘讜转 驻讜专讬诐], 讜诪爪讬讬谉 讻讬爪讚 住讚讗诐 讞讜住讬讬谉 讛讙讗讛 讜讛专砖注 讛讜砖驻诇 讘住讜驻讜 砖诇 讚讘专 诇讚诪讜转 注诇讜讘讛, 讜诪讘讬注 转拽讜讜讛 砖诪砖讟专 讗讬专讗谉 讛谞讜讻讞讬 讬驻讙讜砖 讘讙讜专诇 讚讜诪讛.
讛转拽讚讬诐 讛诪拽专讗讬: 砖诪讜讗诇 讜讗讙讙
讻讚讬 诇讛住讘讬专 讗转 讛诪住讙专转 讛转讬讗讜诇讜讙讬转 砖诇 诪诇讞诪讛 讝讜, 驻讜谞讛 讛讚讜讘专 诇讛驻讟专转 驻专砖转 讝讻讜专, 讛诪转讗专转 讗转 讻讬砖诇讜谞讜 砖诇 砖讗讜诇 讛诪诇讱 诇诪讞讜转 讗转 注诪诇拽 讜讗转 驻注讜诇讜转讬讜 砖诇 讛谞讘讬讗 砖诪讜讗诇 诇讗讞专 诪讻谉. 讻讗砖专 砖讗讜诇 讞住 注诇 讗讙讙 诪诇讱 注诪诇拽, 砖诪讜讗诇 谞讻谞住 讜诪讘爪注 讗转 讛讜爪讗转讜 诇讛讜专讙.
讛讚讜讘专 诪讚讙讬砖 砖诇讜砖讛 驻专讟讬诐 住驻爪讬驻讬讬诐 诪讛讟拽住讟 讛讚讜专砖讬诐 讛住讘专:
讛讛讻专讝讛: 砖诪讜讗诇 讗讜诪专 诇讗讙讙: "讻ַּ讗ֲ砖ֶׁ专 砖ִׁ讻ְּ诇ָ讛 谞ָ砖ִׁ讬诐 讞ַ专ְ讘ֶּ讱ָ 讻ֵּ谉 转ִּ砖ְׁ讻ַּ诇 诪ִ谞ָּ砖ִׁ讬诐 讗ִ诪ֶּ讱ָ" (讻讗砖专 讞专讘讱 砖讬讻诇讛 谞砖讬诐, 讻谉 转砖讻诇 讗诪讱 诪谞砖讬诐). 诪讚讜注 砖诪讜讗诇 诪转诪拽讚 讘讗讬诪讛讜转 讛砖讻讜诇讜转 讜讛讗诇诪谞讜转, 讜诇讗 讘讙讘专讬诐 砖讗讙讙 专爪讞 讘驻讜注诇?
讛讛讜爪讗讛 诇讛讜专讙: 砖诪讜讗诇 诪诪砖 诪驻专拽 讗转 讗讙讙 诇讙讝专讬诐. 诪讚讜注 讛讛讜爪讗讛 诇讛讜专讙 讻诇 讻讱 讗讻讝专讬转?
讛诪讬拽讜诐: 讛讟拽住讟 诪爪讬讬谉 砖砖诪讜讗诇 注砖讛 讝讗转 "诇ִ驻ְ谞ֵ讬 讛'". 诪讚讜注 诪注砖讛 诪讞专讬讚 讻讝讛 诪转讜讗专 讻谞注砖讛 讘谞讜讻讞讜转 讛讗诇讜拽讬转?
讛讗讜驻讬 讛住讚讬住讟讬 砖诇 注诪诇拽
讘转砖讜讘讛 诇砖讗诇讛 讛专讗砖讜谞讛, 讛讚讜讘专 诪讙讚讬专 讗转 讛专讜注 讛讬讬讞讜讚讬 讜讛讟讛讜专 砖诇 注诪诇拽 – 砖讜砖诇转 专讜讞谞讬转 砖讛讜讗 诪拽砖专 诇谞讗爪讬诐, 诇讞诪讗住 讜诇诪砖讟专 讛讗讬专讗谞讬. 讛注讜谞讙 讛注讬拽专讬 砖诇 注诪诇拽 讗讬谞讜 讘专爪讞 注爪诪讜, 讗诇讗 讘住讚讬讝诐. 讛诐 谞讛谞讬诐 诪住讘诇诐 砖诇 讞驻讬诐 诪驻砖注.
讛讚讜讘专 诪谞讙讬讚 讗转 转讙讜讘转 讛讬讛讜讚讬诐 诇诪诇讞诪讛 – 讗讘诇, 讘讻讬 注诇 讞诇诇讬 爪讛"诇, 讬讬住讜专讬诐 注诇 讗诇诪谞讜转 讜讬转讜诪讬诐 – 注诐 转讙讜讘转 讗讜讬讘讬 讬砖专讗诇. 讛讜讗 诪爪讘讬注 注诇 住专讟讜谞讬诐 砖诇 讛诪讜谞讬诐 专讜拽讚讬诐 讜诪转注诇住讬诐 诇讗讞专 驻讬讙讜注讬 11 讘住驻讟诪讘专. 拽诇诇转讜 砖诇 砖诪讜讗诇 讛讬讬转讛 诪讬讚讛 讻谞讙讚 诪讬讚讛: 诪讗讞专 砖讗讙讙 谞讛谞讛 讘住讚讬讝诐 诪诇专讗讜转 讗讬诪讛讜转 诪砖讻讜诇讜转, 讗诪讜 砖诇讜 转住讘讜诇 讗转 讗讜转讜 讬讬住讜专 讘讚讬讜拽.
讙讘讜诇讜转 讛专讞诪讬诐 讜讛爪讜专讱 讘讗讻讝专讬讜转
讘讛转讬讬讞住 诇讗讜驻讬 讛讗讻讝专讬 砖诇 诪讜转讜 砖诇 讗讙讙, 诪住讘讬专 讛讚讜讘专 诪讜砖讙 诪讛转诇诪讜讚: 讘讚专讱 讻诇诇, 讛讛诇讻讛 讛讬讛讜讚讬转 诪讞讬讬讘转 诇转转 讗驻讬诇讜 诇谞讬讚讜谉 诇诪讜讜转 诪讜讜转 "讛讜诪谞讬" 讜诪讻讜讘讚 诪转讜讱 讗讛讘转 讛讘专讬讜转. 讗讜诇诐 注诪诇拽 诪讗讘讚 讝讻讜转 讝讜. 讛诪爪讜讜讛 讘注诪诇拽 讛讬讗 诇注讜专专 砖谞讗讛 (诇注讜专专 讗讬讘讛) 讻诇驻讬讛诐. 诪讗讞专 砖讗讙讙 驻注诇 讻讞讬讛 讗讻讝专讬转, 砖诪讜讗诇 讛转讬讬讞住 讗诇讬讜 讻讞讬讛 – 讜讞转讱 讗讜转讜 诇讙讝专讬诐.
讝讛 诪讜讘讬诇 诇讛住讘专 注诇 "诇ִ驻ְ谞ֵ讬 讛'". 讛砖诐 砖诇 讛讗诇 讛诪讜驻讬注 讘讟拽住讟 (讛讜讬"讛) 诪讬讬爪讙 专讞诪讬诐. 讻讬爪讚 讞讬转讜讱 讗讚诐 诇讙讝专讬诐 讬讻讜诇 诇讛讬讜转 诪注砖讛 专讞诪讬诐? 讛讚讜讘专 诪爪讟讟 讗转 讛注讬拽专讜谉 讛转诇诪讜讚讬: "讻诇 讛专讞诪谉 注诇 讗讻讝专讬诐 – 住讜驻讜 诇讛讬讜转 讗讻讝专 注诇 专讞诪谞讬诐".
专讞诪讬讜 讛诪讜讟注讬诐 砖诇 砖讗讜诇 讛诪诇讱 注诇 讗讙讙 讗驻砖专讜 诇讚诐 讛注诪诇拽讬 诇砖专讜讚, 诪讛 砖讛讜讘讬诇 讘住讜驻讜 砖诇 讚讘专 诇讛诪谉, 砖谞讬住讛 诇讛砖诪讬讚 讗转 讻诇 讛讬讛讜讚讬诐. 讛讚讜讘专 诪讬讬砖诐 讝讗转 注诇 讛讛讬住讟讜专讬讛 讛讬砖专讗诇讬转 讛诪讜讚专谞讬转, 讜诪讘拽专 讘诪驻讜专砖 讗转 注住拽转 砖诇讬讟. 讘讻讱 砖讛专讗转讛 "专讞诪讬诐" 讜砖讞专专讛 讬讜转专 诪-1,000 诪讞讘诇讬诐 讻讚讬 诇讛爪讬诇 讞讬讬诇 讗讞讚, 讬砖专讗诇 砖讞专专讛 讗转 讬讞讬讗 住讬谞讜讜讗专 [讘讬谉 专讘讬诐 讗讞专讬诐 砖讘讬爪注讜 诇讗讞专 诪讻谉 驻讬讙讜注讬 讟专讜专], 砖诪讗讜讞专 讬讜转专 转讻谞谉 讗转 讟讘讞 7 讘讗讜拽讟讜讘专. 专讞诪讬 讛讗诇 讛讗诪讬转讬讬诐 (诇驻谞讬 讛') 诪讞讬讬讘讬诐 讗转 讛砖诪讚转 讛专讜注 讛讟讛讜专 讛诪讜讞诇讟 讻讚讬 诇讛讙谉 注诇 讛讞驻讬诐 诪驻砖注.
转讬讗讜诇讜讙讬讬转 驻讜专讬诐: 诇讛讞讝讬拽 讘砖谞讬 拽爪讜讜转
讛讚讜讘专 诪拽砖专 专注讬讜谞讜转 讗诇讛 诇讞讙 讛驻讜专讬诐 讜诇讞讜讘转 "注讚 讚诇讗 讬讚注" – 诇讛讙讬注 诇诪爪讘 砖讘讜 讗讬谉 诪讘讚讬诇 讘讬谉 "讗专讜专 讛诪谉" 诇"讘专讜讱 诪专讚讻讬".
讛讜讗 诪住讘讬专 砖谞砖诪转 讛讬讛讜讚讬 讞讬讬讘转 诇讛讬讜转 诪住讜讙诇转 诇讛讞讝讬拽 讘砖谞讬 专讙砖讜转 拽讬爪讜谞讬讬诐 讜诪谞讜讙讚讬诐 讘讜-讝诪谞讬转. 诪爪讚 讗讞讚, 讛讬讛讜讚讬 讞讬讬讘 诇讛讬讜转 讘注诇 讗讛讘讛 讗讬谞住讜驻讬转, 拽讚讜砖讛 讜讞诪诇讛 (诪专讚讻讬). 诪爪讚 砖谞讬, 讛讬讛讜讚讬 讞讬讬讘 诇讛讬讜转 诪住讜讙诇 诇砖谞讗讛 诪讜讞诇讟转, 讗讻讝专讬转 讜讘诇转讬 诪转驻砖专转 讻讗砖专 讛讜讗 诪转诪讜讚讚 注诐 专讜注 讟讛讜专 (讛诪谉). 讞诪诇讛 诪讜讟注讬转 讘讝诪谉 诪诇讞诪讛 讛讬讗 驻讙诐 拽讟诇谞讬.
诪讛讜转讛 讛讗诪讬转讬转 砖诇 谞砖诪转 讛讬讛讜讚讬
讛讚讜讘专 诪谞讙讬讚 讗转 注诪诇拽 注诐 住讬驻讜专 讛拽讬谞讬 砖拽讚诐 诇讜 – 注诐 砖砖讗讜诇 讞住 注诇讬讜 诪砖讜诐 砖讛专讗讛 讞住讚 诇讘谞讬 讬砖专讗诇 讘诪讚讘专. 讛讚讘专 诪讚讙讬砖 砖讛诪讟专讛 讛讬讗 讞住讚.
讘讛住转诪讱 专讘讜转 注诇 讻转讘讬 讛专讘 讗讘专讛诐 讬爪讞拽 讛讻讛谉 拽讜拽 (讗讜专讜转), 诪住讻诐 讛讚讜讘专 讜诪转讗专 讗转 诪讛讜转讜 讛讗讜诇讟讬诪讟讬讘讬转 砖诇 注诐 讬砖专讗诇. 诇讬讘转 谞砖诪转 讛讬讛讜讚讬 讛讬讗 转砖讜拽讛 讘诇转讬 诪讜讙讘诇转 讜讘诇转讬 诪讜讙讘诇转 诇注砖讜转 讟讜讘 诇讻诇 讛注讜诇诐 讜诇讻诇 讛讘专讬讗讛. 注诐 讬砖专讗诇 讗讬谞讜 专讜爪讛 诪诇讞诪讛; 讛讜讗 谞讗诇抓 诇讛讬诇讞诐 讘拽讬讜诪讜 砖诇 专讜注 诪讜讞诇讟.
住讬讻讜诐
讛讚讜讘专 诪住讬讬诐 讘转驻讬诇讛 诇讙讗讜诇讛 讛砖诇诪讛. 讛讜讗 诪转驻诇诇 诇讝诪谉 砖讘讜 讛专讜注 讬讜砖诪讚 住讜驻讬转, 讜讬讗驻砖专 诇注诐 讬砖专讗诇 诇讛驻住讬拽 诇谞讛诇 诪诇讞诪讜转 讜诇讛讘讬注 讘诪诇讜讗讜 讗转 讟讘注讜 讛讗诪讬转讬, 讛讘诇转讬 诪注讜讻讘: 诇砖驻讜讱 讟讜讘 讗讬谞住讜驻讬, 讗讜专 讜讘专讻讛 注诇 讛注讜诇诐 讻讜诇讜.